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  • Visit
    • TOURS
    • Accessibility
    • HOURS & LOCATION
    • BECOME A MEMBER
    • ADMISSION
    • GIFT SHOP
  • Exhibits
    • The German Immigrant Experience
    • Play On! German Immigrants and the Quad Cities’ Musical Legacy
    • Violins of Hope Iowa
    • Past Exhibitions
  • Learn
    • GAHC From Home
    • Internships
    • Volunteer
    • Resources
    • Translation Services
    • Book Discussions​
    • Travel
  • Events
  • About
    • About Us
    • Collections
    • DEAI Statement
    • Staff
    • Employment Opportunities
    • Newsletter
    • Contact Us
    • Media Kit
  • Private Events
  • Donate

Collections

Collections

Learn about our collection and archive

The German American Heritage Center and Museum collects objects and archival material related to German immigrant experiences to Scott County Iowa prior to 1925. 

Artifact Donation FAQ

As we strive to maintain professional museum standards and strengthen our collections, we have adopted specific policies and procedures to manage and sustainably grow our collections of artifacts. We continue to accept donations of artifacts into the Museum’s Permanent and Education collections to help us tell the stories of German immigration and German Americans, however, due to space and preservation considerations, we cannot accept all offers of artifacts.

If you have artifacts or documents that you believe would add to the collections of the German American Heritage Center and Museum, please contact the Assistant Director & Curator by phone or email to discuss the artifact. All artifact donations go through the following steps:

  • Contact the Museum and tell us what artifacts you have and any information you know about them.
  • Bring item to Museum and fill out a temporary receipt form. Your signature gives the Museum permission to evaluate the artifact(s) for our collections. Ownership is not transferred at this time.
  • All donations are reviewed by the Curator and collections committee using specific criteria.
  • All objects accepted for the collections are listed on a Deed of Gift which requires the donor’s signature. The donor will receive one copy of the deed of gift and the Museum will keep one on file in our permanent donor files. This process is usually done via mail.
  • Once this form is signed, the donation is complete and unrestricted ownership of the artifact is transferred to the Museum. After this transfer, the artifact is cataloged into the Museum’s collection.
  • The object(s) will be evaluated and the potential donor contacted by the Curator or Archivist regarding the status of the donation. If you choose to bring the proposed donation directly to the Museum, a temporary receipt must be filled out with the donor’s contact information, so the Museum may contact the donor regarding the status of the object. There is no transfer of ownership at this stage.

How are potential donations reviewed?

Proposed donations are reviewed by the Curator, Archivist, and collections committee, knowledgeable in both the scope of the Museum’s collection and issues associated with the preservation of museum artifacts. The proposed donation will be reviewed based on historical significance, uniqueness, mission relevance, its fit within the collection, and the museum’s ability to care for the object(s). We take into account the criteria specified in the Museum’s collecting policies and the Museum’s current collecting goals. We consider the condition of the object and availability of Museum resources to properly display, store and care for proposed objects. If you have questions about the Museum’s Collection policies or scope, please see the Collections Policy or contact the Curator.

What happens to objects not accepted for Museum’s permanent collection?

On the temporary receipt form is a section where the donor can select whether they want the donation returned if the Museum does not accept it, or if the Museum is free to transfer or otherwise dispose of objects that are declined. If the donor selects the return option, we make arrangements for the donor to pick up the donation. If the donor does not want the potential donation back, the first consideration is to transfer it to another museum or appropriate institution.

Does it cost anything to donate an object to the Museum?

The Museum does not charge donors a fee to donate objects. However, there are many ongoing costs associated with the preservation and care of our collections, such as archival storage supplies, building space, climate control, conservation equipment, professional personnel, insurance, display equipment, etc.

Does the Museum purchase artifacts?

On very rare occasions, the Museum may purchase an artifact, but has no regular funding for this purpose. As a result, the Museum will only purchase artifacts in extraordinary circumstances. These pieces are still required to meet the same criteria as donated objects.

Does the Museum accept objects on loan?

Due to insurance and liability issues as well as space constraints, loans to the Museum collections are only accepted when requested for a specific exhibit.

Does the Museum do repair or conservation work?

The Museum staff consults with trained conservators for this type of work. We are able to provide advice on how to care for objects within the home and can recommend resources for more information and archival supplies. People who need an object repaired or conserved should speak with a professional conservator.

Will my donation be exhibited?

The German American Heritage Center and Museum cannot guarantee that donated artifacts will be put on display. We rotate objects within our Permanent Exhibition and in temporary exhibitions as appropriate, but only a small percentage of the entire collection can be displayed at a given time. Long term exhibition can cause damage and can shorten the life of many types of artifacts. Donations that are not on display are well cared-for and used for research purposes.

Can the Museum Appraise my Artifact?

The Museum cannot provide appraisals of the monetary value of artifacts proposed for donation or for any other reason. The Internal Revenue Service regards museums and libraries as interested parties. If an appraisal is desired, you may contact a professional licensed appraiser in your area.

Can I take a tax-deduction for my donation?

The German American Heritage Center and Museum is recognized as a qualified charitable organization and so the fair market value of artifacts donated to the museum is usually tax-deductible. We recommend you consult with an accountant, attorney or the Internal Revenue Service for more information.

Will my artifact be returned to me at my request?

Once an object is donated and a deed of gift is signed by the donor, the Museum becomes the legal owner of the artifact. A donated artifact cannot be returned to the donor upon request.

Can objects be removed from the Collection?

The German American Heritage Center and Museum is an educational institution that serves the public. The objects within our collections must support that goal and our overall mission. Most of the objects given to the Museum will remain in our collections for the rest of their lives. The Museum recognizes that retention of each and every object in a collection involves an ongoing expense. The Museum may – after a cautious and detailed process – remove artifacts from the Permanent Collection through a process called deaccession. Deaccessioning is a way to improve and strengthen collections by refining, upgrading and focusing them. Deaccessioned items are first considered for placement in another educational institution but may also be moved to our Library and Education Collection, sold or discarded. Any funds gained from the sale of deaccessioned items are placed in a restricted fund to be used for care and preservation of the Permanent Collection and will not be used for general operating expenses. If you have any concerns or questions regarding the deaccession process, please do not hesitate to contact our Curator.

If you have further questions regarding the donation process or wish to discuss a past or future donation, please contact our Curator, Clare Tobin at [email protected] or 563-322-8844. Thank you to all members and donors who support the Museum’s collections financially and through artifact donations!

Research Requests

As an educational institution, the German American Heritage Center and Museum offers appointment-only research requests. If you would like to schedule a research appointment, email [email protected] or call 563-322-8844.

How do I request research materials?

Interested parties must schedule a research appointment with our curator or archivist. Requests for materials should include as much information as possible so our staff can look up any relevant materials in our collection. 

In-person appointments are available Sunday – Saturday during regular museum hours and are dependent on availability of our staff. All accessioned materials are be handled by the curator or archivist only. 

Scans of materials can be completed upon request. 

Is there a fee for research requests?

We do not have standard rates for research requests, but we do accept donations to the museum in an amount that is meaningful to you. 

There are many ongoing costs associated with the preservation and care of our collections, such as staff salaries, archival storage supplies, building space, climate control, conservation equipment, insurance, display equipment, etc.

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Museum exploring the German immigrant experience and history of Davenport and Iowa!

Open
🧙‍♀️ Walpurgisnacht, celebrated on April 30th, is one of the most intriguing traditions in German cultural history. Often called the “Night of Witches,” it sits at the intersection of folklore, seasonal celebration, and Christian tradition. Long before it was linked to witches and bonfires, the night marked the transition from winter to spring; a time associated with warmth, light, and new growth.

The name comes from Saint Walpurga, an 8th-century abbess and missionary whose feast day falls on May 1. Over time, her name became connected with existing spring observances. Across Europe, people gathered on the eve of May Day to light fires and celebrate the changing season, blending Christian and older folk traditions into a distinct cultural moment.

#Walpurgisnacht is especially rich in symbolism. Bonfires played a central role, both as festive gatherings and as protective rituals believed to ward off evil spirits before the new season began. Folklore also tied the night to stories of witches gathering on mountaintops, adding a darker, mysterious dimension. This blend of seasonal joy and supernatural legend has helped the tradition endure.

Photos: Costumes at a Walpurgisnacht parade.
Crowd on Walpurgisnacht at the Thingstätte on the Heiligenberg in Heidelberg.

🧙‍♀️ Walpurgisnacht, celebrated on April 30th, is one of the most intriguing traditions in German cultural history. Often called the “Night of Witches,” it sits at the intersection of folklore, seasonal celebration, and Christian tradition. Long before it was linked to witches and bonfires, the night marked the transition from winter to spring; a time associated with warmth, light, and new growth.

The name comes from Saint Walpurga, an 8th-century abbess and missionary whose feast day falls on May 1. Over time, her name became connected with existing spring observances. Across Europe, people gathered on the eve of May Day to light fires and celebrate the changing season, blending Christian and older folk traditions into a distinct cultural moment.

#Walpurgisnacht is especially rich in symbolism. Bonfires played a central role, both as festive gatherings and as protective rituals believed to ward off evil spirits before the new season began. Folklore also tied the night to stories of witches gathering on mountaintops, adding a darker, mysterious dimension. This blend of seasonal joy and supernatural legend has helped the tradition endure.

Photos: Costumes at a Walpurgisnacht parade.
Crowd on Walpurgisnacht at the Thingstätte on the Heiligenberg in Heidelberg.
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Open
Join us on Saturday, May 2nd, 2026 from 10 AM to 1 PM for the annual VW Car Show right in our parking lot! Admission to the show and the museum is free and open to the public. Food will be available on-site for purchase.

Join us for a fun-filled day of classic Beetles, Westfalia vans, kit cars and more! Come and see the history of one of Germany’s most iconic car brands right in our parking lot.

We will feature a special appearance by a replica of Iowa’s first bookmobile, “The Lydia,” named for librarian Lydia Margaret Barrette of Rock Island and Davenport. 

First launched in 1926 by the Iowa Library Association, the “Book Caravan” brought library services to rural communities, stopping at country schools and farm homes. For $50 per week, counties could host the traveling library to build support for local library systems.

Known as “The Lydia,” the bookmobile carried out Barrette’s vision of expanding access to books across Iowa, guided by the slogan: “Three books to every man, woman and child in Iowa.”

Parking at the museum is limited. We encourage visitors to utilize the street parking on 3rd street or surrounding streets. There may be spaces off of 2nd St and Western Ave where the old YMCA used to be.

The German American Heritage Center and Museum will be free and open to the public all day, Saturday May 2nd, 2026.

Join us on Saturday, May 2nd, 2026 from 10 AM to 1 PM for the annual VW Car Show right in our parking lot! Admission to the show and the museum is free and open to the public. Food will be available on-site for purchase.

Join us for a fun-filled day of classic Beetles, Westfalia vans, kit cars and more! Come and see the history of one of Germany’s most iconic car brands right in our parking lot.

We will feature a special appearance by a replica of Iowa’s first bookmobile, “The Lydia,” named for librarian Lydia Margaret Barrette of Rock Island and Davenport.

First launched in 1926 by the Iowa Library Association, the “Book Caravan” brought library services to rural communities, stopping at country schools and farm homes. For $50 per week, counties could host the traveling library to build support for local library systems.

Known as “The Lydia,” the bookmobile carried out Barrette’s vision of expanding access to books across Iowa, guided by the slogan: “Three books to every man, woman and child in Iowa.”

Parking at the museum is limited. We encourage visitors to utilize the street parking on 3rd street or surrounding streets. There may be spaces off of 2nd St and Western Ave where the old YMCA used to be.

The German American Heritage Center and Museum will be free and open to the public all day, Saturday May 2nd, 2026.
…

Open
April 26 is recognized as National Pretzel Day!
 
There is no single story about the invention of the pretzel, as many cultures have adapted it in their own ways. However, the most widely told version centers on an Italian monk who wanted to keep the attention of his pupils. He rolled out dough and crossed the ends to resemble the way the students’ arms were meant to be folded during prayer. Earning the Latin name "Bracellae" which translates to “little arms.”

After the invention of pretzels, their popularity boomed throughout Europe and the Middle Ages. The ingredients, four and water, were cheap and commonly given to the poor as nourishment.

Pretzels have found their way into various stories of accidental invention. Though the invention was invented by an Italian, the pretzel is often associated with Germany, with a specific distinction between a traditional pretzel and German pretzel. The German pretzel originated from the baker of the Munich Royal Cafe in 1839. While preparing to bake pretzels, and brushing them with sugar-water, he accidentally used a sodium hydroxide solution that was used as a cleaner for the bakery equipment. He baked them anyway, and pulled out a crispy brown crusted pretzel with a salty taste.

In addition to these stories, the innovation of hard pretzels originated in about 1600 when a baking apprentice in Pennsylvania fell asleep and overcooked the batch.

In Germany many children are known to wear pretzel necklaces on New Year's Day. Where the phrase “tying the knot” originated from the Swiss tradition of newlyweds breaking a lucky pretzel in the same manner as a wishbone.

Another country of intention is Austria. At Christmas, pretzels were part of tree decorations in the sixteenth century, in addition to this, they believe that the monks were baking pretzels in the basement of their monastery in 1510, when they heard Ottoman Turks tunneling underground. 

Lastly, pretzel lore made its way to America on the Mayflower, where pretzels were reportedly used to trade with Native Americans. The snack remains popular to this day!

Photo: Street types of New York City: Emigrant and pretzel vendor, ca. 1896. Library of Congress.

April 26 is recognized as National Pretzel Day!

There is no single story about the invention of the pretzel, as many cultures have adapted it in their own ways. However, the most widely told version centers on an Italian monk who wanted to keep the attention of his pupils. He rolled out dough and crossed the ends to resemble the way the students’ arms were meant to be folded during prayer. Earning the Latin name "Bracellae" which translates to “little arms.”

After the invention of pretzels, their popularity boomed throughout Europe and the Middle Ages. The ingredients, four and water, were cheap and commonly given to the poor as nourishment.

Pretzels have found their way into various stories of accidental invention. Though the invention was invented by an Italian, the pretzel is often associated with Germany, with a specific distinction between a traditional pretzel and German pretzel. The German pretzel originated from the baker of the Munich Royal Cafe in 1839. While preparing to bake pretzels, and brushing them with sugar-water, he accidentally used a sodium hydroxide solution that was used as a cleaner for the bakery equipment. He baked them anyway, and pulled out a crispy brown crusted pretzel with a salty taste.

In addition to these stories, the innovation of hard pretzels originated in about 1600 when a baking apprentice in Pennsylvania fell asleep and overcooked the batch.

In Germany many children are known to wear pretzel necklaces on New Year`s Day. Where the phrase “tying the knot” originated from the Swiss tradition of newlyweds breaking a lucky pretzel in the same manner as a wishbone.

Another country of intention is Austria. At Christmas, pretzels were part of tree decorations in the sixteenth century, in addition to this, they believe that the monks were baking pretzels in the basement of their monastery in 1510, when they heard Ottoman Turks tunneling underground.

Lastly, pretzel lore made its way to America on the Mayflower, where pretzels were reportedly used to trade with Native Americans. The snack remains popular to this day!

Photo: Street types of New York City: Emigrant and pretzel vendor, ca. 1896. Library of Congress.
…

Open
We were thrilled to welcome Thomas Meinecke to Davenport on Saturday evening for a special program celebrating Bix Beiderbecke and his music. 

Thomas bought his first jazz record in Germany when he was 14 with pocket change. He quickly fell in love with Bix Beiderbecke and his music. This sparked a lifelong interest in American Jazz, music, and Bix's life. He even recounted tearing a page out of a library book in his youth because it had Bix's portrait on it, and he wanted to hang it in his room!

Now a novelist and Radio DJ, his love of music has shaped his career. This spring he is traveling the United States with the Goethe-Institut to promote his books. During a few days off this weekend, Thomas was excited to make a side trip to Davenport to visit Bix's hometown. Thank you @goetheinstitut.chicago for collaborating with us and making this event possible. We are so thrilled to make international connections and bring exciting events here to the museum. Vielen Dank! 🇩🇪 🇺🇸

We were thrilled to welcome Thomas Meinecke to Davenport on Saturday evening for a special program celebrating Bix Beiderbecke and his music.

Thomas bought his first jazz record in Germany when he was 14 with pocket change. He quickly fell in love with Bix Beiderbecke and his music. This sparked a lifelong interest in American Jazz, music, and Bix`s life. He even recounted tearing a page out of a library book in his youth because it had Bix`s portrait on it, and he wanted to hang it in his room!

Now a novelist and Radio DJ, his love of music has shaped his career. This spring he is traveling the United States with the Goethe-Institut to promote his books. During a few days off this weekend, Thomas was excited to make a side trip to Davenport to visit Bix`s hometown. Thank you @goetheinstitut.chicago for collaborating with us and making this event possible. We are so thrilled to make international connections and bring exciting events here to the museum. Vielen Dank! 🇩🇪 🇺🇸
…

Open
What led to the Holocaust’s escalation? Dr. Robinson Yost breaks down the impact of Operation Barbarossa and why it remains a critical moment in history.

Join us for Kaffee und Kuchen on Sunday April 26th. Registration available online or at the door.

What led to the Holocaust’s escalation? Dr. Robinson Yost breaks down the impact of Operation Barbarossa and why it remains a critical moment in history.

Join us for Kaffee und Kuchen on Sunday April 26th. Registration available online or at the door.
…

Open
Have you seen the Violins of Hope yet?

The last day to view our exhibition is Sunday April 26th. Be sure to stop by and see them before they are gone!

Have you seen the Violins of Hope yet?

The last day to view our exhibition is Sunday April 26th. Be sure to stop by and see them before they are gone!
…

Open
Have you seen the Violins of Hope yet? 

The last day to see these incredible instruments is Sunday April 26th. Be sure to see them at the German American Heritage Center and Museum before they're gone!

Have you seen the Violins of Hope yet?

The last day to see these incredible instruments is Sunday April 26th. Be sure to see them at the German American Heritage Center and Museum before they`re gone!
…

Open
Join us for a FREE program at the German American Heritage Center and Museum in Davenport this Sunday, April 19th. 

In a work of historical fiction based on oral histories, Mary Swander dramatizes the trials of a young Amish man from Kalona, Iowa, who thought he was headed to the Rocky Mountains for a stint of public service as a smoke jumper in lieu of combat during World War II. Instead, he was led off the train by renegade soldiers and illegally imprisoned in a chicken coop with ten other men until the war’s end.

After the performance, join Mary Swander for a discussion about her writing process and the research that went into her new drama called Coop. She will explain object theatre and why she embraced it for this work. She will recount how she got the original idea for the show and the choices she made to bring the story to the stage, how both the set and the script were an act of discovery. She will also provide background on the Amish and the history of their stance of non-violent resistance throughout their history. 

Thank you to Humanities Iowa and the State Historical Society of Iowa for making this program possible. RSVP for this event online: https://events.humanitix.com/coop-a-story-of-an-amish-conscientious-objector

Join us for a FREE program at the German American Heritage Center and Museum in Davenport this Sunday, April 19th.

In a work of historical fiction based on oral histories, Mary Swander dramatizes the trials of a young Amish man from Kalona, Iowa, who thought he was headed to the Rocky Mountains for a stint of public service as a smoke jumper in lieu of combat during World War II. Instead, he was led off the train by renegade soldiers and illegally imprisoned in a chicken coop with ten other men until the war’s end.

After the performance, join Mary Swander for a discussion about her writing process and the research that went into her new drama called Coop. She will explain object theatre and why she embraced it for this work. She will recount how she got the original idea for the show and the choices she made to bring the story to the stage, how both the set and the script were an act of discovery. She will also provide background on the Amish and the history of their stance of non-violent resistance throughout their history.

Thank you to Humanities Iowa and the State Historical Society of Iowa for making this program possible. RSVP for this event online: https://events.humanitix.com/coop-a-story-of-an-amish-conscientious-objector
…

VISIT US

German American Heritage Center & Museum
712 W 2nd St.
Davenport, IA 52802

HOURS

Tuesdays – Saturdays open 10 am – 4 pm
Sundays open 12 – 4 pm
Closed Mondays

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German American Heritage Center & Museum
712 W 2nd St.
Davenport, IA 52802
Tuesdays – Saturdays open 10 am – 4 pm
Sundays open 12 – 4 pm
Closed Mondays

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