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  • Visit
    • TOURS
    • Accessibility
    • HOURS & LOCATION
    • BECOME A MEMBER
    • ADMISSION
    • GIFT SHOP
  • Exhibits
    • The German Immigrant Experience
    • Play On! German Immigrants and the Quad Cities’ Musical Legacy
    • Shaped By Immigrants: Celebrating 250 Years of the United States
    • Past Exhibitions
  • Learn
    • GAHC From Home
    • Internships
    • Volunteer
    • Resources
    • Translation Services
    • Book Discussions​
    • Travel
    • Stammtisch
  • Events
  • About
    • About Us
    • Collections
    • DEAI Statement
    • Staff
    • Employment Opportunities
    • Newsletter
    • Contact Us
    • Media Kit
  • Private Events
  • Donate

Collections

Collections

Learn about our collection and archive

The German American Heritage Center and Museum collects objects and archival material related to German immigrant experiences to Scott County Iowa prior to 1925. 

Artifact Donation FAQ

As we strive to maintain professional museum standards and strengthen our collections, we have adopted specific policies and procedures to manage and sustainably grow our collections of artifacts. We continue to accept donations of artifacts into the Museum’s Permanent and Education collections to help us tell the stories of German immigration and German Americans, however, due to space and preservation considerations, we cannot accept all offers of artifacts.

If you have artifacts or documents that you believe would add to the collections of the German American Heritage Center and Museum, please contact the Assistant Director & Curator by phone or email to discuss the artifact. All artifact donations go through the following steps:

  • Contact the Museum and tell us what artifacts you have and any information you know about them.
  • Bring item to Museum and fill out a temporary receipt form. Your signature gives the Museum permission to evaluate the artifact(s) for our collections. Ownership is not transferred at this time.
  • All donations are reviewed by the Curator and collections committee using specific criteria.
  • All objects accepted for the collections are listed on a Deed of Gift which requires the donor’s signature. The donor will receive one copy of the deed of gift and the Museum will keep one on file in our permanent donor files. This process is usually done via mail.
  • Once this form is signed, the donation is complete and unrestricted ownership of the artifact is transferred to the Museum. After this transfer, the artifact is cataloged into the Museum’s collection.
  • The object(s) will be evaluated and the potential donor contacted by the Curator or Archivist regarding the status of the donation. If you choose to bring the proposed donation directly to the Museum, a temporary receipt must be filled out with the donor’s contact information, so the Museum may contact the donor regarding the status of the object. There is no transfer of ownership at this stage.

How are potential donations reviewed?

Proposed donations are reviewed by the Curator, Archivist, and collections committee, knowledgeable in both the scope of the Museum’s collection and issues associated with the preservation of museum artifacts. The proposed donation will be reviewed based on historical significance, uniqueness, mission relevance, its fit within the collection, and the museum’s ability to care for the object(s). We take into account the criteria specified in the Museum’s collecting policies and the Museum’s current collecting goals. We consider the condition of the object and availability of Museum resources to properly display, store and care for proposed objects. If you have questions about the Museum’s Collection policies or scope, please see the Collections Policy or contact the Curator.

What happens to objects not accepted for Museum’s permanent collection?

On the temporary receipt form is a section where the donor can select whether they want the donation returned if the Museum does not accept it, or if the Museum is free to transfer or otherwise dispose of objects that are declined. If the donor selects the return option, we make arrangements for the donor to pick up the donation. If the donor does not want the potential donation back, the first consideration is to transfer it to another museum or appropriate institution.

Does it cost anything to donate an object to the Museum?

The Museum does not charge donors a fee to donate objects. However, there are many ongoing costs associated with the preservation and care of our collections, such as archival storage supplies, building space, climate control, conservation equipment, professional personnel, insurance, display equipment, etc.

Does the Museum purchase artifacts?

On very rare occasions, the Museum may purchase an artifact, but has no regular funding for this purpose. As a result, the Museum will only purchase artifacts in extraordinary circumstances. These pieces are still required to meet the same criteria as donated objects.

Does the Museum accept objects on loan?

Due to insurance and liability issues as well as space constraints, loans to the Museum collections are only accepted when requested for a specific exhibit.

Does the Museum do repair or conservation work?

The Museum staff consults with trained conservators for this type of work. We are able to provide advice on how to care for objects within the home and can recommend resources for more information and archival supplies. People who need an object repaired or conserved should speak with a professional conservator.

Will my donation be exhibited?

The German American Heritage Center and Museum cannot guarantee that donated artifacts will be put on display. We rotate objects within our Permanent Exhibition and in temporary exhibitions as appropriate, but only a small percentage of the entire collection can be displayed at a given time. Long term exhibition can cause damage and can shorten the life of many types of artifacts. Donations that are not on display are well cared-for and used for research purposes.

Can the Museum Appraise my Artifact?

The Museum cannot provide appraisals of the monetary value of artifacts proposed for donation or for any other reason. The Internal Revenue Service regards museums and libraries as interested parties. If an appraisal is desired, you may contact a professional licensed appraiser in your area.

Can I take a tax-deduction for my donation?

The German American Heritage Center and Museum is recognized as a qualified charitable organization and so the fair market value of artifacts donated to the museum is usually tax-deductible. We recommend you consult with an accountant, attorney or the Internal Revenue Service for more information.

Will my artifact be returned to me at my request?

Once an object is donated and a deed of gift is signed by the donor, the Museum becomes the legal owner of the artifact. A donated artifact cannot be returned to the donor upon request.

Can objects be removed from the Collection?

The German American Heritage Center and Museum is an educational institution that serves the public. The objects within our collections must support that goal and our overall mission. Most of the objects given to the Museum will remain in our collections for the rest of their lives. The Museum recognizes that retention of each and every object in a collection involves an ongoing expense. The Museum may – after a cautious and detailed process – remove artifacts from the Permanent Collection through a process called deaccession. Deaccessioning is a way to improve and strengthen collections by refining, upgrading and focusing them. Deaccessioned items are first considered for placement in another educational institution but may also be moved to our Library and Education Collection, sold or discarded. Any funds gained from the sale of deaccessioned items are placed in a restricted fund to be used for care and preservation of the Permanent Collection and will not be used for general operating expenses. If you have any concerns or questions regarding the deaccession process, please do not hesitate to contact our Curator.

If you have further questions regarding the donation process or wish to discuss a past or future donation, please contact our Curator, Clare Tobin at [email protected] or 563-322-8844. Thank you to all members and donors who support the Museum’s collections financially and through artifact donations!

Research Requests

As an educational institution, the German American Heritage Center and Museum offers appointment-only research requests. If you would like to schedule a research appointment, email [email protected] or call 563-322-8844.

How do I request research materials?

Interested parties must schedule a research appointment with our curator or archivist. Requests for materials should include as much information as possible so our staff can look up any relevant materials in our collection. 

In-person appointments are available Sunday – Saturday during regular museum hours and are dependent on availability of our staff. All accessioned materials are be handled by the curator or archivist only. 

Scans of materials can be completed upon request. 

Is there a fee for research requests?

We do not have standard rates for research requests, but we do accept donations to the museum in an amount that is meaningful to you. 

There are many ongoing costs associated with the preservation and care of our collections, such as staff salaries, archival storage supplies, building space, climate control, conservation equipment, insurance, display equipment, etc.

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German American Heritage Center and Museum

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Museum exploring the German immigrant experience and history of Davenport and Iowa!

Open
In 1994, a few Quad Cities residents looked at an abandoned building and saw something others didn’t: a place full of stories worth saving. Because of them, this space became a museum, a gathering place, and a home for shared history.

After 15+ years of work and countless volunteer hours, they saved it. They built a place for stories, culture, and community. Last year alone, we connected with over 3,000 students, families, and community members through programs, events, and celebrations.

This space exists because people believed it mattered and showed up.
Help us keep it going.

Every gift helps keep this space open, active, and rooted in community. Give through Birdies for Charity by July 1st to maximize your impact.

You can give online today at https://birdiesforcharity.com/donate?charity=1002# 
You can also fill out a pledge card at the museum or send a check to Birdies for Charity with Bird #1002.

In 1994, a few Quad Cities residents looked at an abandoned building and saw something others didn’t: a place full of stories worth saving. Because of them, this space became a museum, a gathering place, and a home for shared history.

After 15+ years of work and countless volunteer hours, they saved it. They built a place for stories, culture, and community. Last year alone, we connected with over 3,000 students, families, and community members through programs, events, and celebrations.

This space exists because people believed it mattered and showed up.
Help us keep it going.

Every gift helps keep this space open, active, and rooted in community. Give through Birdies for Charity by July 1st to maximize your impact.

You can give online today at https://birdiesforcharity.com/donate?charity=1002#
You can also fill out a pledge card at the museum or send a check to Birdies for Charity with Bird #1002.
…

Open
🍻 Need a Father's Day Gift? 

We have unique items for Father's Day if you need a last-minute gift. Check out our selection of German beer, root beer, pickles, sauerkraut, Boetje's Mustard, books, and more. All of our sales are tax-free! Members get 10% off on all gift shop sales.

You can also gift a membership to the museum for those dads that "don't want anything." Give the gift of history and enjoy one of our Kaffee und Kuchen programs or a museum visit anytime with a membership. 
➡️ https://gahc.org/become-a-member/

🍻 Need a Father`s Day Gift?

We have unique items for Father`s Day if you need a last-minute gift. Check out our selection of German beer, root beer, pickles, sauerkraut, Boetje`s Mustard, books, and more. All of our sales are tax-free! Members get 10% off on all gift shop sales.

You can also gift a membership to the museum for those dads that "don`t want anything." Give the gift of history and enjoy one of our Kaffee und Kuchen programs or a museum visit anytime with a membership.
➡️ https://gahc.org/become-a-member/
…

Open
Deutschland to Davenport Part 2
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These are a just a couple examples of some of the framed wall pieces we have in our collection. Perforated paper needlework was popular during the Victorian period (1837-1901). Punched paper was used for many things, but the most common were the motto designs, consisting of biblical sayings, greetings, popular song titles etc. 
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Thanks to our intern, Bella, for researching and making these stories come to life!

Deutschland to Davenport Part 2
.
.
These are a just a couple examples of some of the framed wall pieces we have in our collection. Perforated paper needlework was popular during the Victorian period (1837-1901). Punched paper was used for many things, but the most common were the motto designs, consisting of biblical sayings, greetings, popular song titles etc.
.
.
Thanks to our intern, Bella, for researching and making these stories come to life!
…

Open
For #PrideMonth, we are sharing important stories of LGBTQ+ history in Germany.

In 1920s Berlin, the Eldorado nightclub stood as one of the most visible and vibrant queer spaces in the world. During the Weimar Republic, Berlin was home to an estimated 170 LGBTQ+ venues. Within these spaces, people found something rare for the time: the ability to gather openly, build community, and express themselves with joy and authenticity. The Eldorado was especially well known for its drag performances and lively atmosphere, drawing both locals and curious tourists.

But this visibility existed alongside risk. Laws like Paragraph 175 still criminalized same-sex relationships between men, and gender nonconformity could lead to arrest. Queer spaces like the Eldorado were tolerated, but often contained and monitored. Even so, they offered something powerful: a place to be seen.

That visibility is exactly what made the Eldorado significant—and vulnerable.

In 1933, shortly after the Nazis came to power, the club was shut down. The building was quickly transformed into a headquarters for the SA, the Nazi paramilitary. In a stark and deliberate image of control, photographs show the once-celebrated nightclub covered in swastikas and Nazi propaganda. A space of joy, community, and self-expression was turned into a symbol of fear and oppression almost overnight.

The story of the Eldorado is a reminder of how quickly spaces of belonging can be erased—and why they matter. For a time, it offered a glimpse of what was possible when queer people could live openly. Its loss underscores the devastating impact of Nazi persecution, but also the importance of visibility, community, and resistance.

Learn more about Eldorado Nightclub here: https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/
Exterior photos show Eldorado Nightclub in 1932 and 1933.

For #PrideMonth, we are sharing important stories of LGBTQ+ history in Germany.

In 1920s Berlin, the Eldorado nightclub stood as one of the most visible and vibrant queer spaces in the world. During the Weimar Republic, Berlin was home to an estimated 170 LGBTQ+ venues. Within these spaces, people found something rare for the time: the ability to gather openly, build community, and express themselves with joy and authenticity. The Eldorado was especially well known for its drag performances and lively atmosphere, drawing both locals and curious tourists.

But this visibility existed alongside risk. Laws like Paragraph 175 still criminalized same-sex relationships between men, and gender nonconformity could lead to arrest. Queer spaces like the Eldorado were tolerated, but often contained and monitored. Even so, they offered something powerful: a place to be seen.

That visibility is exactly what made the Eldorado significant—and vulnerable.

In 1933, shortly after the Nazis came to power, the club was shut down. The building was quickly transformed into a headquarters for the SA, the Nazi paramilitary. In a stark and deliberate image of control, photographs show the once-celebrated nightclub covered in swastikas and Nazi propaganda. A space of joy, community, and self-expression was turned into a symbol of fear and oppression almost overnight.

The story of the Eldorado is a reminder of how quickly spaces of belonging can be erased—and why they matter. For a time, it offered a glimpse of what was possible when queer people could live openly. Its loss underscores the devastating impact of Nazi persecution, but also the importance of visibility, community, and resistance.

Learn more about Eldorado Nightclub here: https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/
Exterior photos show Eldorado Nightclub in 1932 and 1933.
…

Open
🏛️ This week is #IowaMuseumWeek, which highlights the people, stories, objects, and connections that make museums vital to Iowa’s culture and future.

🇺🇸 Engage with your local museums this summer and check out all of their offerings. This summer, the German American Heritage Center and Museum is excited to bring lots of programs and exhibitions to Davenport. Celebrate America's 250th this year by engaging with history and learning something new:

Sunday June 14th: Kaffee und Kuchen: Germans in the Military from Von Steuben through WWII 
Sunday June 28th: Kaffee und Kuchen: Hamburg on Mississippi: Davenport's Germans and the Musical Mecca of the West 
Sunday July 12th: Best of the Wurst 2026 
Sunday July 19th: Kaffee und Kuchen: Davenport Civil Rights Movement 
Summer Architectural Walking Tours on Select Saturdays 

🎟️ FREE ADMISSION in July sponsored by Cal and Jill Werner

Current Exhibitions:
📜 Shaped by Immigrants: Celebrating 250 Years of the United States
🪗 Play On! German Immigrants and the Quad Cities' Musical Legacy
Upcoming Exhibitions: 
✊ Davenport Civil Rights Movement: A Traveling Exhibit from the Putnam Museum 
Iowa Museum Association

🏛️ This week is #IowaMuseumWeek, which highlights the people, stories, objects, and connections that make museums vital to Iowa’s culture and future.

🇺🇸 Engage with your local museums this summer and check out all of their offerings. This summer, the German American Heritage Center and Museum is excited to bring lots of programs and exhibitions to Davenport. Celebrate America`s 250th this year by engaging with history and learning something new:

Sunday June 14th: Kaffee und Kuchen: Germans in the Military from Von Steuben through WWII
Sunday June 28th: Kaffee und Kuchen: Hamburg on Mississippi: Davenport`s Germans and the Musical Mecca of the West
Sunday July 12th: Best of the Wurst 2026
Sunday July 19th: Kaffee und Kuchen: Davenport Civil Rights Movement
Summer Architectural Walking Tours on Select Saturdays

🎟️ FREE ADMISSION in July sponsored by Cal and Jill Werner

Current Exhibitions:
📜 Shaped by Immigrants: Celebrating 250 Years of the United States
🪗 Play On! German Immigrants and the Quad Cities` Musical Legacy
Upcoming Exhibitions:
✊ Davenport Civil Rights Movement: A Traveling Exhibit from the Putnam Museum
Iowa Museum Association
…

Open
Deutschland to Davenport Part 1: Ernst Otto
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Learn more about the life of Ernst Otto, a German immigrant who came to Davenport. You can learn more about music history in Davenport in our current exhibition, "Play On! German Immigrants and the Quad Cities' Musical Legacy" on the 3rd floor through August 2nd.
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#history #museum #IowaMuseumWeek #german #music #quadcities #qcthatswhere

Deutschland to Davenport Part 1: Ernst Otto
.
Learn more about the life of Ernst Otto, a German immigrant who came to Davenport. You can learn more about music history in Davenport in our current exhibition, "Play On! German Immigrants and the Quad Cities` Musical Legacy" on the 3rd floor through August 2nd.
.
#history #museum #IowaMuseumWeek #german #music #quadcities #qcthatswhere
…

Open
For #PrideMonth, we are sharing the stories of LGBTQ+ individuals from history. 

Gertrude Sandmann (1893–1981) was a Berlin artist who refused to let persecution erase her life or her work.

As a Jewish woman and a lesbian under Nazi rule, Sandmann faced constant danger. She was banned from exhibiting her art, pushed out of public life, and stripped of her professional identity. But she did not disappear.

Sandmann had built her artistic career at a time when women were often excluded from formal training. She studied at the Berlin Association of Women Artists and later worked under Käthe Kollwitz, who remained an important mentor and friend.
In her personal life, Sandmann also challenged expectations. She knew she was a lesbian from a young age. After a brief marriage to a man due to social pressure, she developed a lasting partnership with Hedwig Koslowski in 1927. Their relationship would later become a lifeline.

By the early 1940s, the threat of deportation was real and widely understood as a death sentence. In 1942, Sandmann made a desperate and courageous decision to stage her own death. Leaving behind a suicide note and her belongings, she went into hiding in Berlin.

For more than two years, Sandmann lived in secret. She moved between hiding places, relying on a small network of trusted friends, including Koslowski, who risked her own safety to help her survive. Cut off from her art and community, Sandmann endured isolation, hunger, and fear: but she survived.

After the war, Sandmann returned to her work. Despite lasting health problems from her time in hiding, she rebuilt her artistic career, exhibited her work, and even held a solo exhibition in 1974. She also became an advocate for LGBTQ+ rights in postwar Germany. Her life reminds us that even in the darkest times, people find ways to endure hardship and remain inspired to create.

Learn more about her life here: https://www.deutsche-digitale-bibliothek.de/content/blog/kulturerbe-erzaehlt-die-kuenstlerin-gertrude-sandmann?lang=en 

Artwork - Berlinische Galerie:
Grüne Schneeballen, 1949 
Kauerndes Mädchen mit Schatten, 1940

For #PrideMonth, we are sharing the stories of LGBTQ+ individuals from history.

Gertrude Sandmann (1893–1981) was a Berlin artist who refused to let persecution erase her life or her work.

As a Jewish woman and a lesbian under Nazi rule, Sandmann faced constant danger. She was banned from exhibiting her art, pushed out of public life, and stripped of her professional identity. But she did not disappear.

Sandmann had built her artistic career at a time when women were often excluded from formal training. She studied at the Berlin Association of Women Artists and later worked under Käthe Kollwitz, who remained an important mentor and friend.
In her personal life, Sandmann also challenged expectations. She knew she was a lesbian from a young age. After a brief marriage to a man due to social pressure, she developed a lasting partnership with Hedwig Koslowski in 1927. Their relationship would later become a lifeline.

By the early 1940s, the threat of deportation was real and widely understood as a death sentence. In 1942, Sandmann made a desperate and courageous decision to stage her own death. Leaving behind a suicide note and her belongings, she went into hiding in Berlin.

For more than two years, Sandmann lived in secret. She moved between hiding places, relying on a small network of trusted friends, including Koslowski, who risked her own safety to help her survive. Cut off from her art and community, Sandmann endured isolation, hunger, and fear: but she survived.

After the war, Sandmann returned to her work. Despite lasting health problems from her time in hiding, she rebuilt her artistic career, exhibited her work, and even held a solo exhibition in 1974. She also became an advocate for LGBTQ+ rights in postwar Germany. Her life reminds us that even in the darkest times, people find ways to endure hardship and remain inspired to create.

Learn more about her life here: https://www.deutsche-digitale-bibliothek.de/content/blog/kulturerbe-erzaehlt-die-kuenstlerin-gertrude-sandmann?lang=en

Artwork – Berlinische Galerie:
Grüne Schneeballen, 1949
Kauerndes Mädchen mit Schatten, 1940
…

Open
Our newest exhibition, "Shaped by Immigrants: Celebrating 250 Years of the United States," is now on display. We have many artifacts from our collection on display as well as loaned pieces from the @putnammuseum.

This Davenport Turner uniform belonged to Hertha A. (Berg) Vogel-Hildebrand (1906-2004), a life member of the Davenport Central Turner Hall. Her mother was the daughter of German immigrants and was a member of the Davenport Zither Club. Her father immigrated from Schleswig-Holstein and was a Scott County employee for over 25 years. He was also a member of the Turner Singing Society. 

In her childhood years, Hertha spent many enjoyable days at Schuetzen Park in Davenport where her father ran the shooting gallery and her mother was the cook. They were actively involved in many German-American activities that were typical of many immigrant families.

Explore more stories about German immigrants, and other immigrant groups and how they have shaped the United States we know it today.

Our newest exhibition, "Shaped by Immigrants: Celebrating 250 Years of the United States," is now on display. We have many artifacts from our collection on display as well as loaned pieces from the @putnammuseum.

This Davenport Turner uniform belonged to Hertha A. (Berg) Vogel-Hildebrand (1906-2004), a life member of the Davenport Central Turner Hall. Her mother was the daughter of German immigrants and was a member of the Davenport Zither Club. Her father immigrated from Schleswig-Holstein and was a Scott County employee for over 25 years. He was also a member of the Turner Singing Society.

In her childhood years, Hertha spent many enjoyable days at Schuetzen Park in Davenport where her father ran the shooting gallery and her mother was the cook. They were actively involved in many German-American activities that were typical of many immigrant families.

Explore more stories about German immigrants, and other immigrant groups and how they have shaped the United States we know it today.
…

VISIT US

German American Heritage Center & Museum
712 W 2nd St.
Davenport, IA 52802

HOURS

Tuesdays – Saturdays open 10 am – 4 pm
Sundays open 12 – 4 pm
Closed Mondays

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German American Heritage Center & Museum
712 W 2nd St.
Davenport, IA 52802
Tuesdays – Saturdays open 10 am – 4 pm
Sundays open 12 – 4 pm
Closed Mondays

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